At the same time, however, each attempted to leverage its own unique strengths to go places where their competitors couldn’t follow. The user interfaces began to resemble each other more and more, while features praised in one platform soon found their way into the others. ![]() While Avid quickly became and remains the industry standard for cutting film and television projects in Hollywood, both Premiere and Final Cut Pro developed dedicated followings of their own.ĭuring the period between 19, all three developers worked to incorporate features and quality-of-life improvements that would steal users away from one another. For more than a decade, these three were regarded as “The Big Three” of editing platforms. In 1991, Adobe Systems released Adobe Premiere as a standalone competitor to Avid and, in 1998, Apple unveiled Final Cut Pro as their entry in the non-linear editing race. Where editors had been required to manually cut their films throughout most of the twentieth century, the Avid/1 was the first time a computerized system was powerful enough to take on the task. Though crude by today’s standards, the original Avid represented a monumental leap forward in editing technology. ![]() The practice of digital non-linear editing began in 1989, when Avid Technologies released the Avid/1, a turnkey, all-in-one editing platform. With that out of the way, let’s talk some history. However, for Local 695 Video Engineers, whose responsibilities on the set include media playback, off-camera recording, transcoding media with or without previously created LUT’s, quality control, and syncing and recording copies for the purpose of dailies creation, an understanding and utilization of non-linear editing technology is essential. Now as a disclaimer, the jurisdiction over post-production editing falls squarely with our Brothers, Sisters, and Kin in Local 700. Goyer wrote this line, I doubt they expected it to be applied to the wonderful world of non-linear editing software. When Nolan, his brother Jonathan, and David S. ![]() There is a famous quote from Christopher Nolan’s The Dark Knight in which Batman says, “You either die a hero, or you live long enough to see yourself become the villain.”
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